there are two. A man would praise the first one after understanding her.
The other is blameworthy: and their spirit is wholly different.
For one fosters evil war and battle,
being cruel. No man loves her, but men, forced
by the will of the inmortals, pay honour to harsh Strife.
But the other was born the first from dark Night,
and the son of Cronos, who sits above and dwells in the aether, set her
in the roots of the earth: and she is much better for men.
She wakes up even the shiftless to work;
for a man grows eager to work when he sees another
rich man who hastens to plough and plant
and put his house in good order; and neighbour vies with his neighbour
as he hurries after wealth. This Strife is good for mortals
And potter is angry with potter, and craftsman with craftsman,
and beggar is jealous of beggar, and bard of bard.
Tragedies and comedies in 5th century Athens were all composed for drama contests. The competitive principle, in literature as in all arts, was “to do the same, but to do it better”.
This agonal spirit could only arise in Greece (contrary to Egypt or Persia) from a lack of central power which established fixed rules. Different independent cities competed among themselves, and the different agents of political power (aristocrats in aristocracies, orators in democracies) competed within each city.
Out of this constant rivalry came wonderful works of art, timeless discourses, new visions of the world. Not that competition was always idyllic: more than once the good Strife turned into the first variety, political competition ended up in prosecution and death, and challenge among cities resulted in war…
Of course, as in all good allegories, or mathematical models, the two types of Strife are ideal forms which do not appear in reality as pure archetypes, they tend to be a mixture of many complex forms. Perfect competition does not exist except in books, as everyone knows. What regulating bodies try to do is to render the current market as close to the second Strife as possible, and avoid certain practices which are closer to the first, destructive form of Strife.
The same happens in many other spheres. Strife is encouraged within set limits for “hate” and “jealousy”. Economic competition is considered good as long as it does not turn too Darwinistic. Political competition is allowed within the limits of political rules. Perhaps the clearest example is to be found in a modern revival of the ancient agonal institution par excellence, the Olympic Games. I remember being left waiting for a delayed train in Lausanne for some hours, and I had nothing to do but to see the Olympic Museum. Lausanne is one of these cities where you find yourself always going up a hill, for some reason, but it was well worth the effort. The Museum is marvelous and really transmits the Olympic spirit: citius, altius, fortius… The essence of the Olympics is fierce competition among equals, within the chivalrous rules of the knightly tournaments: you may train, you may invent new strategies, you may play psychological tricks in order to win; but you cannot cheat; you cannot kill your rival; and four years later, you will have to compete again.